edited by Ed Finn & Kathryn Cramer Hieroglyph is a publication, collective conversation and incubator for the “moonshot ecosystem” bringing together writers, scientists, engineers, technologists, industrialists and other creative, synoptic thinkers to collaborate on bold ideas in a protected space for creative play, science, and imagination.
This collage was created following the instructions for exercise number 5 in Nick Bantock's book The Trickster' Hat: A Mischievous Apprenticeship in Creativity. The goldfish was copied from one of the color plates in State of New York Forest, Fish & Game Commission Annual Reports 1904-1905-1906.
Oppressive governments often lock up writers, artists, intellectuals. They lock them up because such people are dangerous to those in power. In the United States, we mostly don't have that problem. This is partly because of the first amendment, but also because American writers, artist, and intellectuals are mostly tame.
The lack of politics in art and literature is seen as a virtue as though there were a pure aesthetics that could only be tainted by the addition of politics. In the US, this is partly the legacy of McCarthism. While our arts are sometime offensive, they do little to change the structure of power.
And so it comes to me as a shock that in Paris there is a terror attack on cartoonists. Cartoonists? Really? Cartoonists.
Many of my friends and many people I admire seem to feel that is this is a good moment to engage their critical skills, to evaluate the worth of the long and successful careers of the recently deceased cartoonists. In other words, what did these artists do wrong that made people want to kill them? I don't think that's the right question.
I'd like to take a moment to focus your attention on me, what I have done for the science fiction field, and what I am capable of doing if I have your help.
Hieroglyph came out on September 9th, and a bunch of us associated with the book had a wild time on the book tour. (If you have been following me on Facebook or Twitter, you know all about this.) Now I'm home and planning what to do next.
Mapping for the masses : Nature Commentary: Mapping disaster zones
Google Earth software proved effective during relief efforts in New Orleans and Pakistan, say Illah Nourbakhsh and colleagues. Is there more to be gained than lost from opening up disaster operations to the wider public?